戰爭之框:兩岸當代戰爭小說的演變

dc.contributor林芳玫zh_TW
dc.contributor許俊雅zh_TW
dc.contributor.author吳明宗zh_TW
dc.contributor.authorWu, Ming-Tsungen_US
dc.date.accessioned2019-08-29T08:36:00Z
dc.date.available2023-12-31
dc.date.available2019-08-29T08:36:00Z
dc.date.issued2018
dc.description.abstract  在兩岸當代文學發展中,戰爭小說形成了一道難以忽略的風景。面對戰爭歷史,作家們透過努力不輟的筆耕,源源不絕地寫出數量龐大的戰爭小說作品。對此,本論文以《戰爭之框:兩岸當代戰爭小說的演變》為題,即是想從「戰爭之框」的角度,觀察兩岸當代戰爭小說在生成過程中對戰爭之框的接受,以及這些小說對戰爭之框造成的影響。進而,透過本論文各章之討論,筆者以為兩岸當代戰爭之框以及戰爭小說之生成,至少經歷了「出現與初始化」、「延伸與修正」與「顛覆與重構」三個階段,而關於第三階段的重構至今仍在進行中。   此外,本論文試從兩岸文學比較視野進行討論,以此同步觀察戰爭之框以及戰爭敘事在兩岸社會之發展。在第二章中,筆者以陳紀瀅、徐鍾珮、林衡道、孫犁與茹志鵑之小說為研究對象,探討「共同體」下的集體與個人。第三章則就白先勇、王文興、陳映真、鍾肇政、李渝與浩然等作家之小說加以討論,分析他們對戰爭之框以及戰爭敘事的「延伸與修正」。「顛覆與重構」則是第四章之主題。筆者以陳千武、巴代、莫言以及嚴歌苓之小說為研究對象,說明這些小說對戰爭之框構成的顛覆意義。因此,筆者於本論文試圖突破兩岸學界多以各自社會內之戰爭小說為研究對象的現象,同時也欲打破臺灣學界在戰爭小說研究上的省籍界線,將兩岸之間對特定戰爭歷史經驗之書寫並置觀看,以此做為觀察兩岸自1949年後社會發展之切口。zh_TW
dc.description.abstract  It can not be ignored that the war novels made unique pictures in the development of Cross-strait Contemporary Literature. By writing continuously, the writers created a huge number of war novels. From the conception of “Frames of War”, I not only want to observe the writer's acception from the “frames”, but how the war novels made influence on the “frams”. That is why I entitled my dissertation as “ Frames of War: The Transformation of Cross-strait Contemporary War Novels.” According to the discussions in each chapters, I think that there are three phases of transformation of the frames of war and the war novels: “beginning and initialization”, “extension snd modification” and “subversion and reconstruction”, and the last one is still carrying on.   Besides, to observe the frames of war and the war narratives of Cross-strait simultaneously, I tried to do my study with the way of comparison. In chapter 2, I discussed the collective and individual of Chen Ji-Ying, Xu Zhong-Pei, Lin Heng-Dao, Sun Li, and Ru Zhi-Juan's novel. And in chapter 3, I analyzed how Bai Xian-Yong, Wang Wen-Xing, Chen Ying-Zhen, Zhong Zhao-Zheng, Li Yu, and Hao Ran extended and modified the frames of war also the war narratives. The main idea of chapter 4 is “subverstion and reconstruction”. I intended to highlight the significance of Chen Qian-Wu, Ba Dai, Mo Yan, and Yan Ge-Ling’s novel, because they overthrew the existing frames of war. In addition, I found that there were boundaries between Cross-strait war novel studies. So I tried to view the those novels together, and I hope it will provide us a suitable point to observe the developement of the societies of Cross-strait after 1949.en_US
dc.description.sponsorship台灣語文學系zh_TW
dc.identifierG080126003L
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G080126003L%22.&%22.id.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/93172
dc.language中文
dc.subject戰爭小說zh_TW
dc.subject臺灣文學zh_TW
dc.subject中國當代文學zh_TW
dc.subject兩岸文學zh_TW
dc.subject戰爭之框zh_TW
dc.subjectwar novelen_US
dc.subjectTaiwan Literatureen_US
dc.subjectChinese Contemporary Literatureen_US
dc.subjectCross-strait Literatureen_US
dc.subjectframes of waren_US
dc.title戰爭之框:兩岸當代戰爭小說的演變zh_TW
dc.titleFrames of War: The Transformation of Cross-strait Contemporary War Novelsen_US

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