超越框架：流體藝術創作論述

Abstract

流體藝術源起於抽象藝術與偶發繪畫，目前最常見的主要創作顏料是丙烯酸顏料，創作方式是將顏料澆注於展示媒材上，透過傾斜、翻轉展示媒材等力學作用，讓顏料流洩、相互混合，從而創造出色彩斑斕的藝術作品。本創作論述以創作者本身的印刷、大圖輸出專業背景為視角，運用各式創作方法，呈現色彩豐富、形式多樣的流體藝術作品，並從實驗中，探討顏料在各式印刷、大圖輸出特殊底材上的流動效果。最後辦理流體藝術個展，公開展示作品，並藉由觀眾意見問卷調查，分析作品的視覺效果。論文共計五章，第一章為緒論，第二章為文獻探討，第三章為流體藝術創作說明，第四章為流體藝術創作個展，第五章為結論。研究結果顯示：一、創作時，混合使用各式創作手法，較能呈現豐富、多元的色彩及圖案。二、顏料在印刷、大圖輸出專用底材上的流動性較佳。三、顏料在印刷、大圖輸出專用底材上的顏色飽和度及視覺效果佳。四、使用印刷、大圖輸出的透明底材時，須留意特殊顏料的阻光性。Fluid Art originated from Abstract Art and Occasional Painting. The most common primary material is Acrylic. The method is to pour Acrylic on a painting board or object, and then tilt and rotate it to let the acrylic flow and mix with each other to create a colorful art work. The thesis is based on my professional background in Printing and Large Format Printing. I used a variety of techniques to creat Fluid Art works that are colorful and patterned. I also researched the flow of Acrylic on the boards for Print and Large Format Printing. Finally, I organized the Fluid Art Solo Exhibition and analyzed the audience's visiting experience. My thesis consists of five chapters, the first chapter is the Introduction, the second chapter is the Literature Review, the third chapter is the Creation Discourse, the fourth chapter is the Fluid Art Creation Solo Exhibition, and the fifth chapter is the Conclusion. The conclusions of the thesis are: 1. Mixing various techniques can create colorful and patterned works. 2. Acrylic has better fluidity on the boards for Print and Large Format Printing. 3. Acrylic has higher color saturation and better visual effect on the boards for Print and Large Format Printing. 4. When using the transparent board, we must pay attention to the light blocking effect of Acrylic.