謝爾蓋・拉赫瑪尼諾夫《樂興之時，作品十六》之樂曲分析與詮釋探討

Abstract

二十世紀全方位俄國作曲家謝爾蓋・瓦西里耶維奇・拉赫瑪尼諾夫 (Sergei Vasilievich Rachmaninoff, 1873-1943) 於1896年創作《樂興之時，作品十六》(Moments Musicaux, Op. 16)，在鋼琴曲目中佔有重要的地位，樂曲富含作曲家擅用的半音主義、調式音階、俄國民謠、對位手法、多變的節奏性，以及宗教題材等創作手法，這些特色在拉赫瑪尼諾夫日後的作品中，亦常常被運用或發展。因此，此套作品可說是作曲家創作生涯中的重要里程碑。本文分為六章：首章緒論闡述筆者撰寫之動機與目的、研究範圍與內容及步驟與方法；第二至四章為深入探討拉赫瑪尼諾夫之音樂人生及其獨特的音樂特色；淺談特性作品的由來與種類、《樂興之時》的起源與發展、《樂興之時，作品十六》之創作背景、樂曲概述以及曲式分析；第五章為探討此套作品之演奏技巧與詮釋；最終章為結論。藉由分析各首的曲式、調性、和聲架構與力度的變化等，本書面報告將歸納並比較各首樂曲的類型及特性，繼而提出個人的演奏詮釋與練習建議。

Sergei Vasilievich Rachmaninoff (1873-1943), one of the most significant composers of the 20th century, composed six Moments Musicaux, Op. 16 in 1896. This essential work contains many important composition techniques which include chromaticism, modal scales, Russian folk music, counterpoint, rhythmic diversity, and religious elements. All these composition techniques of Op.16 highly influence Rachmaninoff's later works, and thus Op. 16 is widely regarded as a milestone in his oeuvre. This written report is divided into six chapters: the first chapter consists of introduction, research purpose, scope, and methods. The second to the fourth chapters address Rachmaninoff's musical life, compositional techniques, the development of character pieces and the background of Op. 16. The fifth chapter demonstrates the analysis and interpretation of Moments Musicaux. The last chapter is the conclusion. Byduring all the research and analysis, wish the written report will provide interpretative suggestions and the main points of practice.