創作歌手自我配唱方法之探討—以專輯《Endgame》為例

dc.contributor陳子鴻zh_TW
dc.contributorChen, Tzu-Hungen_US
dc.contributor.author鄭安婷zh_TW
dc.contributor.authorCHENG, An-Tingen_US
dc.date.accessioned2024-12-17T03:54:11Z
dc.date.available2024-02-16
dc.date.issued2024
dc.description.abstract本書面報告旨在探討配唱在歌手詮釋歌曲中的重要性。配唱作為音樂表演的關鍵元素,不僅增添了音樂的聲音層次,還在歌曲的情感傳達和表現力方面發揮關鍵作用。在台灣,流行音樂教學不像古典音樂在各大學音樂學院已發展一套完整教學系統,且有幾十年歷史,流行歌唱法充斥著不同派別,每一派都有不同的主張及重視的。在音樂製作上,歌手錄音時,通常會伴隨一位配唱製作人來引導歌手詮釋歌曲,在沒有配唱製作人的狀況下,歌手該如何自我進行配唱工作,詮釋歌曲,為本書面報告所探討的。本報告也整理了在古典歌唱系統奠定的基礎下,如何發展至流行音樂唱腔,在歌唱中如何使用共鳴轉換創造不同的聲線以詮釋不同的歌曲。顫音和音色變化被廣泛用於增加歌曲的表現力和情緒深度、裝飾音的運用使歌曲更具個人化、情感表達透過歌手的聲音投入傳達,使聽眾更容易共鳴和情感連結……等,探討了自我配唱的過程,並提出了一些方法及建議。希望為歌手們提供有益的指導,以更好的理解和利用在歌曲詮釋中。zh_TW
dc.description.abstractThe present paper aims to explore the significance of vocal production in singers' interpretation of songs. As a pivotal element in musical performance, vocal production not only adds layers of sound to music but also plays a crucial role in conveying emotions and enhancing expressiveness in songs. In Taiwan, unlike classical music which has developed comprehensive teaching systems in major university music academies for decades, popular music education lacks a unified system, with various schools of thought within the realm of popular vocal techniques, each advocating different approaches and emphasis. In music production, singers often have a vocal producer to guide their interpretation of songs during recordings. This paper delves into how singers can manage self-vocal production and interpret songs without a vocal producer. It also consolidates the foundation established in classical vocal systems and how it has evolved into popular music vocal styles, examining the utilization of resonance transformations to create diverse vocal tones for interpreting different songs. Techniques such as vibrato and timbre variations are extensively used to intensify the expressiveness and emotional depth of songs, employing embellishments to personalize songs further, and injecting emotional expression through the singer's voice to facilitate easier resonance and emotional connections with the audience. This study explores the process of self-vocal production and presents methodologies and recommendations, aiming to provide beneficial guidance for singers to better comprehend and utilize the pivotal role of vocal production in song interpretation.en_US
dc.description.sponsorship音樂學系流行音樂產學應用碩士在職專班zh_TW
dc.identifier009903320-44738
dc.identifier.urihttps://etds.lib.ntnu.edu.tw/thesis/detail/967da333d79faacc1a516388e792ef59/
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/123983
dc.language中文
dc.subject配唱zh_TW
dc.subject流行歌唱技巧zh_TW
dc.subject歌手zh_TW
dc.subjectVocal Produceen_US
dc.subjectPop Music Singing Skillsen_US
dc.subjectSingeren_US
dc.title創作歌手自我配唱方法之探討—以專輯《Endgame》為例zh_TW
dc.titleA Discussion on Self-Vocal Production Techniques by the Singer-Songwriter-A Case Study of“Endgame”Albumen_US
dc.type作品連同書面報告(藝術類)

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