托斯悌與達努奇歐合作的義大利藝術歌曲
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2022
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此次研究報告,主要探討托斯悌與達努奇歐合作的義大利藝術歌曲。佛朗切斯科.保羅.托斯悌是從維多利亞時代橫跨到愛德華時代的歌曲作曲家;他所創作的歌曲定義了最根本的義大利歌曲聲響:一種與拿波里流行曲充分激盪過後的義式旋律。加布里埃爾.達努奇歐是義大利十九世紀末到二十世紀初主要領導的作家。為使研究更為精確,於其他章節中依序介紹,義大利藝術歌曲的由來、演變與歷史;梳理作曲家、詩人與兩人間的合作關係。最終以研究選取歌曲的分析與詮釋,進入聲樂技巧與音樂語法的深入探索,進而建立體會音樂中的美感素養。
This research primarily investigates the Italian art songs of Tosti with D’Annunzio.Francesco Paolo Tosti (1846-1916) was a song composer of the late Victorian and Edwardian period; his song style defines for many the ultimate “Italian song” sound— Italianate melody with a generous dash of Neapolitan popular song. Gabriele D’Annunzio (1863-1938) was the leading writer of Italy in the late 19th and early 20th centuries. Details of the research are elaborated in different chapters. Origins, evolutions, and history of Italian art songs were collected in this study. This study also researches composer, poet and the cooperation between both of them.Finally, analysis an interpretation of selected songs and exploration of vocal skills and musical grammar would be the last part, but not least, of the research, our goal is to pursue Aesthetic literacy.
This research primarily investigates the Italian art songs of Tosti with D’Annunzio.Francesco Paolo Tosti (1846-1916) was a song composer of the late Victorian and Edwardian period; his song style defines for many the ultimate “Italian song” sound— Italianate melody with a generous dash of Neapolitan popular song. Gabriele D’Annunzio (1863-1938) was the leading writer of Italy in the late 19th and early 20th centuries. Details of the research are elaborated in different chapters. Origins, evolutions, and history of Italian art songs were collected in this study. This study also researches composer, poet and the cooperation between both of them.Finally, analysis an interpretation of selected songs and exploration of vocal skills and musical grammar would be the last part, but not least, of the research, our goal is to pursue Aesthetic literacy.
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托斯悌, 達努奇歐, 鄧南遮, 義大利藝術歌曲, 四首阿瑪蘭達之歌, Tosti, D’Annunzio, Italian art songs, Quattro canzoni d’Amaranta