身體與空間的關係
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Date
2011
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摘要
本論文是筆者經過一段創作過程沉澱之後,嘗試循著一個更為聚焦的觀點做為更進一步的繪畫研究。旨在探索身體與空間的關係,企圖以對 “ 實相 ” 物質在經過時間介入而不斷改變這個事實的理解去剖析事物更為真實的狀態。嘗試提出一種新的觀看方式,探索繪畫更多面向的延伸與視覺藝術更大的可能性。創作的主要內容以人物為主,呈現人物在時空背景裡的不確定性。試著去論述、表現這個物理實存的世界實際上是一個變動的空間,存在的每一樣東西每一個片刻都在改變。整個創作主題就是圍繞在這樣的概念在做一個繪畫形式上的演練。
本論文架構分為以下幾個章節:
第一章:緒論,說明研究的動機與目的,研究的範圍與限制。
第二章:回到藝術史的脈絡,尋找與本創作有關的藝術文件與學理基礎,主要的有立體派(Cubism)、未來主義(Futurism)與超現實主義(Surrealism)。還有幾位表現時間與動態概念的當代藝術家。
第三章:深入本研究的創作理念,以實驗性的手法來尋找研究主題「身體與空間的關係」的繪畫形式。
第四章:描述創作內容與過程,創作技法與表現形式,媒材的介紹與應用。
第五章:根據筆者個別作品呈現來做為創作內容的演繹,配合圖片加以解說。
第六章:結論,經由研究論文的撰寫與省思,突破思想局限,釐清未來創作方向,希望能在這樣的基礎之上,進一步擴展自己的創作領域。
關鍵字:身體、空間、關係、動態、實驗性、繪畫形式
Abstract This thesis presents a drawing research exploring the relationship between the body and space. The study follows the attempt of the author who pursues a more focused viewpoint of creation after years of art practice. By understanding the fact that in the material world, “reality” (in the sense of Zen) keeps changing perpetually, one can inspect things close to actuality. The research proposes a new way of seeing, examines different facets of drawing, and extents possibilities of visual art. Human figures play a center role in the creation part of this thesis; they manifest the uncertainty in time and space. The drawings illustrate and surround the idea that each and every existing thing is changing at every moment; the reality of material world is a constantly changing world. The thesis includes the following chapters: Chapter 1: Introduction-Explaining the research motivation, purpose, area, and restriction Chapter 2: Documentation-Searching related art documents and theories in the context of art history. Including Cubism, Futurism, Surrealism and contemporary artists who express concepts of time and moving Chapter 3: Experiment-Exploring the thesis concept and experimenting drawing means and forms to articulate the research theme-“the relationship of body and space” Chapter 4: Creation-Introducing the creation process, painting skills, expression styles, media forms and application Chapter 5: Interpretation-Interpreting each drawing creation based on the thesis theory Chapter 6: Conclusion-The process of thesis writing helps ponder on and break apart thoughts from the past and clarifies creating direction in the future. It anchors a thinking foundation for the author to expand his creation field. Keywords: body, space, relationship, moving, experimental, drawing style
Abstract This thesis presents a drawing research exploring the relationship between the body and space. The study follows the attempt of the author who pursues a more focused viewpoint of creation after years of art practice. By understanding the fact that in the material world, “reality” (in the sense of Zen) keeps changing perpetually, one can inspect things close to actuality. The research proposes a new way of seeing, examines different facets of drawing, and extents possibilities of visual art. Human figures play a center role in the creation part of this thesis; they manifest the uncertainty in time and space. The drawings illustrate and surround the idea that each and every existing thing is changing at every moment; the reality of material world is a constantly changing world. The thesis includes the following chapters: Chapter 1: Introduction-Explaining the research motivation, purpose, area, and restriction Chapter 2: Documentation-Searching related art documents and theories in the context of art history. Including Cubism, Futurism, Surrealism and contemporary artists who express concepts of time and moving Chapter 3: Experiment-Exploring the thesis concept and experimenting drawing means and forms to articulate the research theme-“the relationship of body and space” Chapter 4: Creation-Introducing the creation process, painting skills, expression styles, media forms and application Chapter 5: Interpretation-Interpreting each drawing creation based on the thesis theory Chapter 6: Conclusion-The process of thesis writing helps ponder on and break apart thoughts from the past and clarifies creating direction in the future. It anchors a thinking foundation for the author to expand his creation field. Keywords: body, space, relationship, moving, experimental, drawing style
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身體, 空間, 關係, 動態, 實驗性, 繪畫形式, body, space, relationship, moving, experimental, drawing style