臺灣共創音樂的起源與實踐–以《Whoch! Whoch!》為例
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2023
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近五年臺灣紛紛舉辦音樂創作營，當中的共創方式各有大大不同，因此本文想藉由對音樂創作營的研究，了解創作營為何興起，當中的優劣，以及是否成為目前流行音樂創作的趨勢。本篇論文探究到共創的優點在於 可以集思廣益，並於短時間能夠產生極高的創意思考，也能在共創的過程中直接討論想像中的風格及文字內容，且創作時人員機動性高，進入障礙較低，成品能接近工業水準的完整度;而共創的缺點則為溝通需要花許多 時間，版權比例分配少。傳統工業的製作方面，接收寫歌資訊較為直接， 可直接與製作人溝通;版權分配的比例較高，缺點則為進入障礙較高。綜上所述，本篇論文探討台灣共創音樂的起源與實踐，期許可以對創作者在共創過程中有所幫助。
In the past five years, Taiwan has held music creation camps one after another, and the ways of co-writing are various. Therefore, this article hopes to understand why the music creation camps have emerged, their advantages and disadvantages, and whether they have become a trend of popular music creation through the research of music creation camps. This paper explores that the advantages of co-writing are that it can brainstorm and produce extremely high creative thinking in a short period of time. In the process of co-writing, collaborator can directly discuss the music style and lyrics. Also, collaborator is more efficiency to adjust music during co-writing, and the entry barrier is low, so the finished product could be close to the industrial level. The disadvantage of co-writing is taking lot of time to communication and less proportion of copyright distribution. In terms of traditional production, it is more straightforward to receive songwriting information and communicate directly with producers, and the proportion of copyright distribution is relatively high; however, the disadvantage is that entry barriers are relatively high. In summary, this paper explores the origin and practice of co-creation music in Taiwan, hoping to give some information to creators when doing co-writing.
In the past five years, Taiwan has held music creation camps one after another, and the ways of co-writing are various. Therefore, this article hopes to understand why the music creation camps have emerged, their advantages and disadvantages, and whether they have become a trend of popular music creation through the research of music creation camps. This paper explores that the advantages of co-writing are that it can brainstorm and produce extremely high creative thinking in a short period of time. In the process of co-writing, collaborator can directly discuss the music style and lyrics. Also, collaborator is more efficiency to adjust music during co-writing, and the entry barrier is low, so the finished product could be close to the industrial level. The disadvantage of co-writing is taking lot of time to communication and less proportion of copyright distribution. In terms of traditional production, it is more straightforward to receive songwriting information and communicate directly with producers, and the proportion of copyright distribution is relatively high; however, the disadvantage is that entry barriers are relatively high. In summary, this paper explores the origin and practice of co-creation music in Taiwan, hoping to give some information to creators when doing co-writing.
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共創音樂, 音樂共創營, 創作歌手, Co-writing, Co-writing Camp, Singer-Songwriter