「琴道」在漢代的歷史定位與文化意義
| dc.contributor.author | 李美燕 | zh_tw |
| dc.date.accessioned | 2014-10-27T15:42:41Z | |
| dc.date.available | 2014-10-27T15:42:41Z | |
| dc.date.issued | 1999-03-?? | zh_TW |
| dc.description.abstract | 本論文旨在探討「琴道」在漢代的歷史定位與文化意義，全文除了前言與結論外，主要的內容有如下：一、琴道的歷史淵源二、琴道的法象制義三、琴道的思想基礎（一）儒家樂教理念的影響（二）道家生命境界的祈嚮（三）災異、讖緯、五行、天文的影響四、琴道的美學價值（一）應和（二）中和（三）移情（四）「意」與「機」透過本論文的探討，除了展現古琴自先秦迄兩漢以來，作為文人士子修身養性之「器」的意義外，更呈現出琴「道」本諸儒、道思想的基礎在歷史文化的流變�堙A至漢代羼入陰陽五行、天文讖緯等觀念以涵攝彌綸天人之道的特色。 | zh_tw |
| dc.description.abstract | This article summarizes the historical and cultural significance of Chinese chin-tao in the Han-dynasty, the central topics of this research are: (a) the history of musical art for Chinese chin-tao. (b) the thoughts of musical art for Chinese chin-tao. (c) the practical core concetps of Chinese chin as musical culture cultivation. (d) the musical aesthetics of Chinese chin as musical culture cultivation. Then from the above discussion, this thesis will situate the Chinese Chin's value and significance in the Han-dynasty. | en_US |
| dc.identifier | 86944FD5-D40C-A802-36AC-145FB6888DC7 | zh_TW |
| dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/24887 | |
| dc.language | 中文 | zh_TW |
| dc.publisher | 國文學系 | zh_tw |
| dc.publisher | Department of Chinese, NTNU | en_US |
| dc.relation | (20)，267-294 | zh_TW |
| dc.relation.ispartof | 中國學術年刊 | zh_tw |
| dc.subject.other | 琴道 | zh_tw |
| dc.subject.other | 漢代 | zh_tw |
| dc.subject.other | 樂教 | zh_tw |
| dc.subject.other | 儒家 | zh_tw |
| dc.subject.other | 道家 | zh_tw |
| dc.subject.other | Chinese chin | en_US |
| dc.subject.other | Chin-tao | en_US |
| dc.subject.other | Musical culture cultivation | en_US |
| dc.subject.other | Thought of Confucianism and Taoism | en_US |
| dc.subject.other | Musical aesthetics | en_US |
| dc.title | 「琴道」在漢代的歷史定位與文化意義 | zh-tw |