Browsing by Author "Yang, Yu-Chieh"

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    腳底壓力辨識系統對於受測者在不同負重支撐點與重量之分析與研究
    (2021) 楊瑀婕; Yang, Yu-Chieh
    近年來，隨著物聯網應用的興起，網絡通訊不只侷限在手機與電腦間，除了帶來人類生活的便利外，資訊安全的議題也逐漸被重視，因而延伸出具唯一性的生物識別技術，生物辨識的簽名認證有別於傳統的文字或圖像式的帳號與密碼，其不易被偽造的特性也使得安全程度變得更為可靠。在過去的腳底壓力分析的研究中，比較少有提及與探討受測者在身體不同位置處攜帶負重，對於受測者攜帶不同重量的負重的研究也較無著墨。本論文主要在於探討受測者在赤腳情況下於，右側攜帶不同重量的負重與後側攜帶不同重量的負重對於搭配機器學習的腳底壓力感測技術的辨識度和模型訓練時間的影響的分析與研究。實驗結果顯示使用平均腳底壓力資料與攜帶大負重量會提升腳底壓力的辨識率。
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    阿莫多瓦電影中的互文性
    (2017) 楊羽絜; Yang, Yu-Chieh
    My thesis explores the legacy of Pedro Almodóvar, a Spanish film director, screenwriter and producer of international fame. The ways Almodóvar deals with the role of women, sexual desire, violence, drugs, homosexuality and many controversial issues have built his reputation. This renowned director was a pioneer of La Movida Madrileña, a short cultural renaissance that began in Madrid after the death of dictator Francisco Franco. Almodóvar was greatly influenced by pop culture and the rise of Postmodernism in the 1960s. Besides this inspiration from cultural trends and social movements, his creative style was also inspired by his own unique life experiences. In this thesis, I focus on how Almodóvar uses intertextuality as a cinematic technique to depict stories and entertain audiences. This thesis is divided into four chapters. Chapter one is a sketch of Spain’s cultural background in the 20th century, including chronicling the most significant historical events and outlining the contemporary Spanish film industry. In chapter two, based on critics’ statements and Almodóvar’s interviews, I examine this director’s whole life experiences and the themes and genres of his films. Chapter three is an overview of intertextuality, including allusion, pastiche, parody, quotation and mise en abyme as postmodernist devices, with a focus on how they are presented in an Almodóvaran way. Reviewing their historical use first, I next concentrate on how these devices function in Almodóvar’s films. Finally, my conclusions come in chapter four.